「지젤」 작품 2막의 안무에 관한 멜랑콜리(Mélancolie) 분석 -프로이트를 중심으로-Analysis of Mélancolie in Act 2 Choreography of the 「Giselle」- Based on the Sigmund Freud
- Other Titles
- Analysis of Mélancolie in Act 2 Choreography of the 「Giselle」- Based on the Sigmund Freud
- Authors
- 박건아; 손재현
- Issue Date
- Sep-2024
- Publisher
- 한국무용예술학회
- Keywords
- Giselle; mélancolie; Sigmund Freud; Choreography; Stage Movement; 지젤; 멜랑콜리; 지그문트 프로이트; 안무; 무대 동선; .
- Citation
- 무용예술학연구, v.96, no.3, pp 83 - 97
- Pages
- 15
- Indexed
- KCI
- Journal Title
- 무용예술학연구
- Volume
- 96
- Number
- 3
- Start Page
- 83
- End Page
- 97
- URI
- https://scholarworks.dongguk.edu/handle/sw.dongguk/26527
- DOI
- 10.16877/kjds.96.3.202409.83
- ISSN
- 1226-900X
2713-9468
- Abstract
- This study explores the expression of mélancolie by analyzing the choreography of Giselle's Act 2.
The 18th century romantic ballet expresses human desire to escape reality in a fantastic and mysterious world. Among romantic ballet works, Giselle clearly shows the characteristics of romanticism with the theme of tragic ending and mélancolie. The study analyzes how mélancolie is expressed in choreographic terms through the Freud's concept of ambivalence and identification. As a result, we found how mélancolie is visually revealed through the emotions, movements, and gestures of dancers, and it can be said that the tendency of mélancolie is effectively expressed through the coexistence of love and depression in the pas deux.
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Collections - College of Education > Department of Physical Education > 1. Journal Articles

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