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「지젤」 작품 2막의 안무에 관한 멜랑콜리(Mélancolie) 분석 -프로이트를 중심으로-Analysis of Mélancolie in Act 2 Choreography of the 「Giselle」- Based on the Sigmund Freud

Other Titles
Analysis of Mélancolie in Act 2 Choreography of the 「Giselle」- Based on the Sigmund Freud
Authors
박건아손재현
Issue Date
Sep-2024
Publisher
한국무용예술학회
Keywords
Giselle; mélancolie; Sigmund Freud; Choreography; Stage Movement; 지젤; 멜랑콜리; 지그문트 프로이트; 안무; 무대 동선; .
Citation
무용예술학연구, v.96, no.3, pp 83 - 97
Pages
15
Indexed
KCI
Journal Title
무용예술학연구
Volume
96
Number
3
Start Page
83
End Page
97
URI
https://scholarworks.dongguk.edu/handle/sw.dongguk/26527
DOI
10.16877/kjds.96.3.202409.83
ISSN
1226-900X
2713-9468
Abstract
This study explores the expression of mélancolie by analyzing the choreography of Giselle's Act 2. The 18th century romantic ballet expresses human desire to escape reality in a fantastic and mysterious world. Among romantic ballet works, Giselle clearly shows the characteristics of romanticism with the theme of tragic ending and mélancolie. The study analyzes how mélancolie is expressed in choreographic terms through the Freud's concept of ambivalence and identification. As a result, we found how mélancolie is visually revealed through the emotions, movements, and gestures of dancers, and it can be said that the tendency of mélancolie is effectively expressed through the coexistence of love and depression in the pas deux.
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