윤곤강 시의 생물다양성과 생태학적 상상력 -『動物詩集』을 중심으로open accessBiodiversity and ecological imagination in the poems of Yun gon-gang - Focussed on 『A collection of animal poems 』-
- Other Titles
- Biodiversity and ecological imagination in the poems of Yun gon-gang - Focussed on 『A collection of animal poems 』-
- Authors
- 남진숙
- Issue Date
- Dec-2014
- Publisher
- 문학과환경학회
- Keywords
- Yun gon-gang; 『A collection of animal poems』; biodiversity; ecological imagination; vitality; life recognition; mutual relationship; symbiotic relationship; emotion; 윤곤강; 『動物詩集』; 생물다양성; 생태학적 상상력; 생명력; 생명인식; 상호관계성; 공생; 감동
- Citation
- 문학과환경, v.13, no.2, pp 59 - 89
- Pages
- 31
- Indexed
- KCI
- Journal Title
- 문학과환경
- Volume
- 13
- Number
- 2
- Start Page
- 59
- End Page
- 89
- URI
- https://scholarworks.dongguk.edu/handle/sw.dongguk/24934
- DOI
- 10.36063/asle.2014.13.2.003
- ISSN
- 1599-7650
2714-0563
- Abstract
- This is a research paper studying on the biodiversity and ecological imagination and Recognition shown in the Yun gon-gang's poems. It was to find new poetic characteristics and meanings in his poems through the ecological approach, and to find important values of his 『A collection of animal poems』in the history of Korean poetry. Because he dealt with animals as major poetic materials and wrote poems, his poetry can be expanded into the ecological poetry beyond the age. In addition, his animal poems also affected overall the poetic world view.
His animal poetry can be characterized as follows. First, he symbolized the characteristics of various animals as ecological imagination and aesthetics point through careful observation. Second, the inherent vitality and life recognition were appeared in his 『A collection of animal poems』, which are also connected in other poems. Third, the ecological imagination through mutual and symbiotic relationship of animals appeared prominently in his poems.
On the other hand, his 『A collection of animal poems』and other poems dealing with animals as major materials revealed the coexistence of realism and modernism, that is to say it showed that reality of the poetry, emotion and poetic aesthetics coexist.
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