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한국과 일본에서의 음악낭독극 연구Research of Music Stage Reading in Korea and Japan

Other Titles
Research of Music Stage Reading in Korea and Japan
Authors
이주영정달영
Issue Date
Feb-2019
Publisher
한국이벤트컨벤션학회
Keywords
Music Stage Reading; HJ Culture; SOUND THEATRE; Theatrical-Live; READING HIGH; 음악낭독극; HJ컬쳐; 사운드씨어터; 씨어트리컬-라이브; 리딩하이
Citation
이벤트컨벤션연구, v.15, no.1, pp 107 - 120
Pages
14
Indexed
KCI
Journal Title
이벤트컨벤션연구
Volume
15
Number
1
Start Page
107
End Page
120
URI
https://scholarworks.dongguk.edu/handle/sw.dongguk/8414
DOI
10.31927/asec.15.1.6
ISSN
1738-7981
Abstract
Purpose –The purpose of the research is to suggest Korean performing arts organizations to develop the Music Stage Reading in Korea. Research design, data, and methodology –The research design and methodology is a way of the comparison of Korean and Japan Music Stage Reading. So, the case studies of the representative productions in the two states are HJ Culture’s Music Stage Reading series in Korea and SOUND THEATRE’s <Natsume Yuujinchou>, ‘Theatrical-Live’s <The Black Prince>, and READING HIGH’s <Homunculus> in Japan. Result –The origin of the Stage Reading is similar to between Korea and Japan but the two countries are developed each other. Japan has been developed new genre of the performing arts, that is, the Music Stage Reading through scenic, lighting, sound usage such as professional productions. However Korea has been not developed new genre such as Japan. Conclusions –The conclusion of the research is that Korean performing arts organizations need to develop the Music Stage Reading to be new genre like Japan.
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