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다언어 영화 번역과 참여 문화: <바스터즈: 거친녀석들>을 중심으로Multilingual films and participatory culture: A case study of <Inglourious Basterds>

Other Titles
Multilingual films and participatory culture: A case study of <Inglourious Basterds>
Authors
김경혜
Issue Date
Apr-2025
Publisher
한국통역번역학회
Keywords
multilingual films; participatory culture; collective intelligence; vehicular matching; Inglourious Basterds
Citation
통역과 번역, v.27, no.1, pp 41 - 67
Pages
27
Indexed
KCI
Journal Title
통역과 번역
Volume
27
Number
1
Start Page
41
End Page
67
URI
https://scholarworks.dongguk.edu/handle/sw.dongguk/58342
DOI
10.20305/it202501041067
ISSN
1229-6074
Abstract
This study discusses how media consumers, particularly movie fans, use online platforms to exchange and contest ideas, debate, and enhance their understanding of language and culture in response to information loss in multilingual film subtitles. While subtitling inevitably involves some degree of information loss, this issue is especially significant in multilingual films, where language plays a vital role in character development and narrative progression. Using Quentin Tarantino’s Inglourious Basterds (2009) as a case study and drawing on Henry Jenkins’ concept of participatory culture (2006) and Pierre Lévy’s idea of collective intelligence, this study examines how media audiences engage with language, culture, and subtitles within and across different fan communities and digital platforms. The findings reveal that media consumers actively share, test, reaffirm, and acquire missing linguistic and cultural knowledge related to multilingual scenes through a decentralized, collaborative, and democratic process.
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