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한국 뮤지컬 번역 평가 담론 및 기준에 대한 포괄적 고찰: 온라인 커뮤니티를 중심으로On evaluation discourses and criteria of musical theater translation: Focused on online musical theater community

Other Titles
On evaluation discourses and criteria of musical theater translation: Focused on online musical theater community
Authors
홍정민김경혜
Issue Date
Mar-2025
Publisher
한국번역학회
Keywords
뮤지컬 번역; 평가 담론; 평가 기준; 온라인 커뮤니티; TT의 언어적 완성도; ST의 의미 및 효과; Musical theater translation; evaluation discourse; evaluation criteria; online community; linguistic integrity of target text; meaning and effect of source text
Citation
번역학연구, v.26, no.1, pp 75 - 113
Pages
39
Indexed
KCI
Journal Title
번역학연구
Volume
26
Number
1
Start Page
75
End Page
113
URI
https://scholarworks.dongguk.edu/handle/sw.dongguk/58186
DOI
10.15749/jts.2025.26.1.003
ISSN
1229-795X
Abstract
This study examines user comments from a Korean online musical theater community with a view to identifying audience’s evaluation discourses and the specific criteria they consider when making evaluative comments on musical theater translation. A total of 1,735 comments posted between April 1, 2017, and October 31, 2024, on one of the biggest South Korean online musical theater communities were analyzed qualitatively and systematically using MAXQDA, a tool that enables researchers to code, categorize, and analyze source materials. The findings reveal three main interesting points. First, fans in the online musical theater community under examination actively engage in in-depth discussions on various aspects of musical theater translation, demonstrating a deep understanding of original productions, the complexities of the translation process, and the roles of key stakeholders such as production companies and translators. Second, four major criteria that fans consider when making evaluative comments were identified: (1) linguistic integrity of the target text, (2) meaning and effect of the source text, (3) new meaning and effect of the target text, and (4) performability. Thirdly, translations that satisfy the first three criteria were most frequently discussed and highly praised. The findings of this study suggest that the interested parties and stakeholders in the musical theater translation industry and research community need to pay closer attention to the identified discourses and criteria to more effectively resonate with the audience who exerts the biggest influence on the country’s musical theater market.
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