한류 드라마 변화 과정 톺아보기: 새로운 드라마 콘텐츠를 어떻게 볼 것인가에 대한 질문과 제안An Insight into How Hallyu Dramas are Changing: Questions and Suggestions on How to Watch New Drama Content
- Other Titles
- An Insight into How Hallyu Dramas are Changing: Questions and Suggestions on How to Watch New Drama Content
- Authors
- 정윤길
- Issue Date
- Sep-2024
- Publisher
- 한국동서비교문학학회
- Keywords
- Hallyu drama; Content; Platform; ANT; Cultural Proximity
- Citation
- 동서비교문학저널, v.69, no.69, pp 311 - 333
- Pages
- 23
- Indexed
- KCI
- Journal Title
- 동서비교문학저널
- Volume
- 69
- Number
- 69
- Start Page
- 311
- End Page
- 333
- URI
- https://scholarworks.dongguk.edu/handle/sw.dongguk/26525
- DOI
- 10.29324/jewcl.2024.9.69.311
- ISSN
- 1229-2745
2288-5498
- Abstract
- As Hallyu drama capture the imagination of audiences around the world, they are becoming a site of cultural negotiation at the intersection of local and global influences. This paper explores how these changes are shaping the future of Hallyu drama and what they mean for the global content industry as a whole. Through a critical examination of the new narratives, themes, and production strategies emerging in Hallyu drama, this study aims to shed light on the complex dynamics driving the transformation of one of the most influential genres in contemporary global media. The paper explores the historical trajectory of Hallyu drama, tracing their rise from niche content in South Korea to mainstream global entertainment. It examines the key factors that contributed to their international success. This provides a foundation for understanding the context in which contemporary changes are occurring. The paper also considers the role of technological advancements and the proliferation of streaming services in facilitating these changes. These platforms have enabled Hallyu drama to reach broader and more diverse audiences, which, in turn, has influenced the type of content being produced. In conclusion, this paper suggests that in the era of digital transformation, which has brought about fundamental changes in the way Hallyu content is produced, distributed, and consumed, we should look at the Hallyu phenomenon not as a fixed, unchanging thing but as events that constantly appear and disappear.
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