Analysis of the Mediating Effect of Social Presence and Social Capital on the Relationship Between Social Viewing and the Enjoyment of TV DramasTV 드라마 사회적 시청과 시청 즐거움의 관계에서 사회적 현존감과 사회자본의 매개효과 분석
- Other Titles
- TV 드라마 사회적 시청과 시청 즐거움의 관계에서 사회적 현존감과 사회자본의 매개효과 분석
- Authors
- 왕이; 김용환
- Issue Date
- Oct-2022
- Publisher
- 충남대학교 사회과학연구소
- Keywords
- Social watching; Enjoyment of watching dramas; Social presence; Social capital; Public platform; Private platform; 사회적 시청; 드라마 시청 즐거움; 사회적 현존감; 교량적 사회자본; 결속적 사회자본
- Citation
- 사회과학연구, v.33, no.4, pp 163 - 183
- Pages
- 21
- Indexed
- KCI
- Journal Title
- 사회과학연구
- Volume
- 33
- Number
- 4
- Start Page
- 163
- End Page
- 183
- URI
- https://scholarworks.dongguk.edu/handle/sw.dongguk/2420
- DOI
- 10.16881/jss.2022.10.33.4.163
- ISSN
- 1976-2984
2713-9891
- Abstract
- This study examined the mediating effects of social presence and social capital on the relationship between social viewing and the enjoyment of watching television dramas. Specifically, we examined whether and how social viewing through a public platform (Weibo) and a private platform (WeChat) differently affect the enjoyment of watching dramas via social presence and social capital. The results of the study provided the following insights: First, social presence and social capital mediate the effects of social viewing on enjoyment when watching dramas. These effects were observed in two cases of social viewing using public and private platforms. The mediating effect of bonding social capital was absent in the case of a public platform, but was observed in the case of a private platform. Second, the mediating effect of social presence on the relationship between social viewing and the enjoyment of drama viewing was higher on the private platform (WeChat). Third, the mediating effect of bridging social capital on the relationship between social viewing and the enjoyment of watching dramas was greater on the public platform (Weibo). Finally, the mediating effect of bonding social capital on the relationship between social viewing and the enjoyment of drama viewing was more significant on the private platform (WeChat).
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