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A Research of Ink and Wash Elements on the 3D Animation Film <Deep Sea>
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Biying Guo | - |
| dc.contributor.author | Xinyi Shan | - |
| dc.contributor.author | Jeanhun Chung | - |
| dc.date.accessioned | 2024-08-08T08:01:48Z | - |
| dc.date.available | 2024-08-08T08:01:48Z | - |
| dc.date.issued | 2023-08 | - |
| dc.identifier.issn | 2288-4920 | - |
| dc.identifier.issn | 2288-4939 | - |
| dc.identifier.uri | https://scholarworks.dongguk.edu/handle/sw.dongguk/20273 | - |
| dc.description.abstract | <Deep Sea> is an 3D animated film that stands out for its exceptional special effects and distinctive artistic style. The film employs a multitude of dazzling and vibrant ink particles, creating a strong sense of three dimensionality and weightlessness, while simultaneously portraying a dreamlike and elegant representation of a deep sea ink painting. Furthermore, through the utilization of fragmented stream of consciousness narrative technique, the film establishes a unique artistic effect infused with a Chinese atmosphere. This paper by analyzing the unique particle ink art style and color and stream of consciousness narrative methods in film, this paper discusses the innovative art style generated by traditional ink art style combined with three dimensional technology, and the integration of traditional ink art ideas and artistic conception in animated films.The objective isto cultivate a new ink artstyle and prove the importance of traditional cultural expression in animated films, while providing new perspectives for the future application of traditional art in animation. | - |
| dc.format.extent | 6 | - |
| dc.language | 영어 | - |
| dc.language.iso | ENG | - |
| dc.publisher | 한국인터넷방송통신학회 | - |
| dc.title | A Research of Ink and Wash Elements on the 3D Animation Film <Deep Sea> | - |
| dc.title.alternative | A Research of Ink and Wash Elements on the 3D Animation Film <Deep Sea> | - |
| dc.type | Article | - |
| dc.publisher.location | 대한민국 | - |
| dc.identifier.doi | 10.7236/IJIBC.2023.15.3.82 | - |
| dc.identifier.bibliographicCitation | The International Journal of Internet, Broadcasting and Communication, v.15, no.3, pp 82 - 87 | - |
| dc.citation.title | The International Journal of Internet, Broadcasting and Communication | - |
| dc.citation.volume | 15 | - |
| dc.citation.number | 3 | - |
| dc.citation.startPage | 82 | - |
| dc.citation.endPage | 87 | - |
| dc.identifier.kciid | ART002993699 | - |
| dc.description.isOpenAccess | N | - |
| dc.description.journalRegisteredClass | kci | - |
| dc.subject.keywordAuthor | Chinese Animated Film | - |
| dc.subject.keywordAuthor | Traditional Cultural Elements | - |
| dc.subject.keywordAuthor | Particle Ink | - |
| dc.subject.keywordAuthor | Animated Film Deep Sea. | - |
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