ScholarWorks@Dongguk University: Chung, Jean hun

Detailed Information

Chung, Jean hun (정진헌)

Graduate School of Digital Image & Contents (Department of Multimedia)

Research Area

Tel 02-2260-3767
Homepage

ResearcherID ORCiD Scopus Google Scholar ID ResearchGate

Keyword

AI Painting:10||VR:6||프로젝션 맵핑:6||Metaverse:5||Immersion:5||alienation effect:4||AR:4||데페이즈망:4||AI:4||캐릭터:4||Stable Diffusion:4||User Experience:4||증강현실:3||VR 게임:3||depaysement:3||TikTok:3||Character:3||Artificial Intelligence:3||AI Generated Technology:3||Kids TV animation:3||애플리케이션:3||Multimedia:3||projection mapping:3||Application:3||유아동 TV 애니메이션:3||Sidescrolling Game:3||Character Design:3||Platform:3||Projection Mapping:3||멀티미디어:3||Interaction:3||Generative Artificial Intelligence:3||Game Development:3||Character design:3||Horror:2||융합콘텐츠:2||Digital Craft:2||Natural history:2||IBL:2||Puzzle:2||CGI:2||New Media Art:2||인터랙션:2||Digital Human:2||Convergence:2||China:2||자연사:2||UGC:2||UX(User eXperience):2||UXD(User eXperience Design):2||interaction:2||OSMU:2||media art:2||Unreal Engine:2||Realtime Rendering:2||중국:2||<the Elder Scrolls V: Skyrim Special Edition>:2||모바일 게임:2||Augmented Reality:2||창작지표:2||캐릭터 개발:2||COVID19 SABER:2||몰입감:2||Usability Survey:2||CWTV:2||컴퓨터 그래픽:2||User experience:2||미디어 아트:2||AI Generation Technology:2||Media Art:2||VR Games:2||Game:2||Autopano Giga:2||미장센:2||Color:2||the fourth Wall:2||Douyu TV:2||Scanimation:2||Autopano Video Pro:2||Creative aesthetic indication:2||Screen X:2||3D Animation:2||PCCS:2||PGC:2||Character Consistency:2||플랫폼:2||Video Content:2||PPD:2||가상성:2||가상현실:2||Intellectual Property:2||Short Clip:2||Side Scroll game:2||Deep Learning Algorithms:2||Virtual Reality:2||Midjourney:2||스마트 환경:2||Pet:2||스크린 X:2||Virtuality:2||Mobile Devices:2||시각요소:2||2D:2||시각적 몰입감:2||Visual Immersion:2||Modeling:2||Graphic Design:2||Player Experience:2||Visual element:2||<the Elder Scrolls V: Skyrim VR>:2||기술적 구성 요소:2||Digital:2||Content:2||내용적 구성 요소:2||Xmen:2||뉴미디어 아트:2||K5:2||영상 콘텐츠:2||Digital Art:2||LED:2||3D:2||Contextual Elements:2||Tamagotchi:2||Technical Elements:2||Digital Contents:2||Projection mapping:2||character design:2||디지털:2||ControlNet:1||Convergence Contents:1||Convergence Design:1||Convergence Media:1||Convergence content:1||Convergence contents:1||Convergence type:1||Craft Design:1||Craft Education Programs:1||Craft Molds:1||Creative Expression:1||DEEPMOTION:1||Dalbit_Dalgom:1||Dating Simulation:1||Dematerialization:1||Depaysement:1||Depth:1||Design:1||Design Content Scalability:1||Design Culture:1||Design Expression:1||Design Process:1||Digital Animation:1||Digital Arts:1||Digital Content.:1||Digital Experience Center:1||Digital Fashion Show:1||Digital Modeling:1||Digital Play:1||Digital Sculpting:1||Digital art:1||Digital media contents:1||Digital technology:1||Digitalillustration:1||Disney Animation:1||Disney animation:1||Distance:1||Education Content:1||Educational content for infants:1||Edutainment:1||Efficient Production:1||Elderly:1||Elemental System:1||Emotional:1||Emotional Color Expression:1||Emotional Commonality:1||Emotional Expression:1||Emotional Facial Expression Change:1||Empathy:1||Experience:1||Expression elements:1||Female Image:1||Female Orientation:1||Female player:1||Festival Branding:1||Film and TV Production:1||Film and Television Creation:1||Fine art:1||Fourth wall:1||Fractals:1||Fractals Geometry:1||Frontprojected Holographic Display:1||Fusion and Recombination Technique:1||Gglass:1||GUI:1||GUI Design convergence Guidelines:1||GUI components:1||GUI 구성 요소:1||GUI 디자인융복합 가이드라인:1||Game Animation:1||Game Content:1||Game Contents:1||Game Experience:1||Game Freedom:1||Game Visual:1||Game for education:1||Game promotion animation:1||Game scenario:1||Game’s animation sequence:1||Game’s art style:1||Gaussian Mixture Model:1||Generative AI:1||Gestalt:1||Global Brand:1||Graphic design:1||Green Screen:1||HMD:1||Heritage Conservation and Publicity:1||Hologram:1||Holographic Projection:1||Hololens:1||Honour Of Kings:1||Humancomputer interaction，Niji rot，Midjourney rot，:1||Humanlike Character Animation:1||IMAX:1||IP character image:1||IP 캐릭터 이미지:1||Image Design Components:1||Image Matching:1||Image Splicing:1||Image design:1||Immersion Experience:1||Immersive Experience:1||Immersive Journalism:1||Implementation Strategy:1||Independent game:1||Infants:1||Influencer:1||Information Visualization:1||Ink Paint:1||Ink Style Image Cotents:1||Ink Wash:1||Innovative Applications:1||Integral TwinLens 360˚ Camera:1||Interactive:1||Interactive Digital Art:1||Interactive Narrative:1||Interactive film:1||Interactive video narrative:1||Interection:1||Islamic Geometric Pattern.:1||Jackson Pollock’s Drip Painting:1||Jean Cocteau:1||JeanLuc Godard:1||KContents:1||KPOP:1||KPop:1||Kidult Culture:1||LED Wall:1||La Chinoise:1||Language Symbols:1||Leonardo.Ai:1||Light:1||Light and Shadow Effects:1||Line of Action:1||Live video streaming:1||LoAR:1||Local Government Role:1||Lumen Lighting:1||Machine Hallucinations:1||Magic3D:1||Making Method:1||Markless:1||Mass culture:1||Material Analysis:1||Media:1||Media Content:1||Media Facade:1||Media Innovation:1||Media art:1||Media façade:1||Medical Image:1||Memorial:1||Mental Model(심성모형):1||Meshy:1||Metafiction games:1||Metahuman:1||Metamorphosis:1||Metaphorical Way:1||Miseénscene:1||Miseenscene:1||Mixed Reality:1||Mobile Platform:1||Mobile augmented reality games:1||Mobile game:1||Modern Character Design，Character Development:1||Modernism:1||Montage:1||Moomin:1||Morse Code:1||Morten Lasskogen:1||Motion Capture:1||Motion Graphics:1||Mrs Beaumont:1||Mrs Villeneuve:1||Multimodal:1||Multisensory Elements:1||Multimedia Content Creation:1||NFT Art:1||National history:1||Natural Language Processing (NLP):1||Nature friendly characters:1||New Media:1||New material:1||NextGeneration Games:1||NonFacetoFace Education:1||O2O Shopping:1||OSMU mode:1||OSMU모델:1||Objective point of view:1||Offline Rendering:1||OnePerson Households:1||Online Platforms:1||Open World:1||Open pose:1||Open world game:1||Optical Illusion:1||Optical illusion:1||Optical illusion of motion:1||Orality:1||Otome Games:1||Over Watch:1||PC Game:1||PIKA Labs:1||Panorama:1||Panoramic Video:1||Particle Ink:1||Pataphysics:1||Pattern Art:1||Personal Media:1||Peter rabbit:1||Philip Glass:1||Philosophical Exploratio:1||Photo scan:1||Photograph Art:1||PhysicallyBased Rendering(PBR):1||Pink fong:1||Pixel Art Creation:1||Pixel Art Style:1||Play:1||Point cloud:1||Pokemon:1||Pokemon Go:1||Pokemon Go Game Characters:1||Policy Design:1||PostImpressionism:1||Postsynthesis Technology:1||Posthuman:1||Potential Participants:1||Premium LargeFormat:1||Productional Guideline:1||Prompt:1||Proportion:1||Props:1||Public Art:1||Public Media Art:1||QR Code:1||Quantity of image frames:1||RUNWAY.:1||Raw:1||Ready Play One:1||Real Style:1||RealTime Rendering Engine:1||Refik Anadol:1||Rendering elements:1||Rendering techniques:1||Rene Magritte:1||Representation:1||Role conception:1||Roser Cailliois:1||Rrobot training:1||Runway:1||Runway Gen2:1||STEAM:1||STEAM Education:1||Scanline:1||Scheme:1||Selective Visual Attention:1||Semiology:1||Semiotics:1||Sense:1||Sense of Control:1||Sensory Experience:1||Sensory elements:1||Short Drama:1||SideScroll Game:1||Simulation:1||Sloyd AI:1||Smart Environment:1||Smart Launchers:1||Smart Learning:1||Smart Order:1||Smart environment:1||Smart window:1||Smartphone:1||Sound:1||Sound Eesign:1||Space:1||SpiderMan Across the SpiderVerse:1||Stage Art Design:1||Standalone VR Headsets:1||Stereo Vision:1||Stereoscopic Visualization Technology:1||Stitching:1||Story:1||Storytelling:1||Stripe:1||Sub Style:1||Subject matter of expression:1||Sun and Moon and Five Peaks:1||Superhero:1||Symbolization:1||Technical and Content Components:1||Technological Development:1||Television Program:1||Television Series with Noir Elements:1||Texture:1||The Fourth Wall:1||The fourth Wall:1||The third orality:1||Threedimensional animation:1||Timelapse:1||Traditional Cultural Contents:1||Traditional Cultural Elements:1||Triangle rule:1||Type:1||Universal Design:1||University Curriculum:1||Untact Era:1||Urban Landscape:1||Urban lighting:1||Urban night landscape:1||Usability (사용성):1||User Interface(사용자 인터페이스):1||VR Contents:1||VR Game:1||VR Image Contents:1||VR News Media:1||VR Technology:1||VR Technology Use:1||VR animation <Pearl>:1||VR game:1||VR games:1||VR 애니메이션 <Pearl>:1||VR 영상:1||VR 영상 콘텐츠:1||VR 콘텐츠:1||Vertical video content:1||Vid2vid Style Transfer:1||Video Calling:1||Video Contents:1||Video Generation:1||Video production:1||Vincent Van Gogh:1||Virtual:1||Virtual Hanbok:1||Virtual Production:1||Virtual Reality Video:1||Virtual Reality video:1||Virtual Training.:1||Virtual Worlds:1||Virtual reality:1||Virtual reality technology:1||Visual Communication:1||Visual Content Industry:1||Visual Expression:1||Visual Forms of Psychology:1||Visual Innovation:1||Visual Perception:1||Visual UI elements:1||Visual and Auditory Components:1||Visual and Auditory Inducement:1||Visual art contents:1||Visual communication:1||Visualize:1||Walt Disney:1||Watercolor:1||XR:1||Youtube Live:1||Youtube TV:1||ZBrush:1||Zentangle art:1||advertising production:1||animation:1||application:1||architectural design:1||artificial intelligence:1||barrierfree viewing:1||character:1||chatGPT:1||color:1||compositing:1||conceptual design:1||creativity.:1||data analysis:1||digital media immersive experience:1||fairy tales:1||game:1||healing:1||idea generation:1||imagetoimage conversion:1||immersion:1||immersive experience:1||innovation and interaction VR Technology Use:1||interactive media art:1||lighting:1||metaverse:1||mobile game:1||modern society:1||motion capture:1||open world:1||public data:1||realtime video:1||robots:1||sensors:1||sound vibration:1||soundresponsive:1||stable diffusion:1||storyboard creation:1||stylized rendering，Midjourney:1||technical:1||texttoimage generation:1||texture mapping:1||time and cost savings:1||touchscreen:1||traditional culture:1||transparent screen:1||virtual technology:1||visual design:1||visual feature:1||visual immersion:1||visual representation:1||visualization:1||‘Beauty and the Beast':1||‘Honour Of Kings’:1||가상:1||가상 한복:1||가우스 혼합모델:1||감각:1||감각요소:1||감성별 색상변화:1||감성별 표정변화:1||개인 미디어:1||객관적 시점:1||건축 프로젝션 맵핑:1||게슈탈트 이론:1||게임 스테이지:1||게임 시나리오:1||게임 애니메이션:1||게임 홍보 애니메이션:1||게임개발:1||고다르:1||고령자:1||공간:1||공공데이터:1||공공미술:1||공예 교육 프로그램:1||광고 영상:1||교육 컨텐츠:1||교육용 게임:1||그래픽 디자인:1||그래픽디자인:1||그래픽유저인터페이스:1||글로벌 브랜드:1||기본 평면도형:1||기술적·내용적 구성요소:1||내가 아빠를 얼마나 사랑하는지 아세요:1||놀이:1||단계별 제작 가인드라인:1||달빛달곰:1||대중문화:1||대학과정 커리큘럼:1||도상 결합:1||도상 맞추기:1||도시 야간 경관:1||도시 조명:1||독립형 VR 헤드셋:1||동영상 제작:1||동영상 콘텐츠:1||등신비율:1||디자인 스타일:1||디즈니 애니메이션:1||디지털 기술:1||디지털 놀이:1||디지털 아트:1||디지털 애니메이션:1||디지털 영상 콘텐츠:1||디지털 조형:1||디지털 콘텐츠:1||디지털 크래프트:1||디지털 패션쇼:1||디지털일러스트레이션:1||디지털체험관:1||라인 오브 액션:1||렌더링 기법:1||렌더링 요소:1||로우:1||로제카이와:1||르네마그리트:1||리얼 타임 비디오:1||리이브 방송:1||마크리스:1||만화:1||모더니즘:1||모델링:1||모바일 증강현실 게임:1||모션 착시:1||모스부호:1||몰입:1||몰입식 체험:1||몽타주:1||무민:1||미녀와 야수':1||미디어:1||미디어 플랫폼:1||미디어아트:1||미술 전시:1||미술 전시회:1||미술치료:1||배경:1||배색:1||번들 프로그램:1||변신:1||보몽 부인:1||브랜드커뮤니케이션:1||블리자드:1||비대면 교육:1||비쥬얼 커뮤니케이션:1||빌레느브 부인:1||빔프로젝션 맵핑:1||빛:1||사용성 조사:1||사용성 평가:1||사용자경험:1||사운드:1||사진예술:1||상호작용:1||색상:1||선택적 시각주의:1||세로형 영상콘텐츠:1||소품:1||수묵화:1||수묵화법 영상콘텐츠:1||순수미술:1||슈퍼히어로:1||스마트 폰:1||스마트런처:1||스캐니메이션:1||스케니메이션:1||스테레오 비전:1||스토리:1||스트라이프:1||스트라이프 레이어:1||스티칭:1||시각적 UI 요소:1||시각적·청각적 구성요소:1||시네마그래프:1||시지각:1||시청각 유도:1||심리의 시각적 형태:1||심벌화:1||아이맥스:1||애니메이션 특징:1||애니메이션교육:1||앱:1||앱북:1||언택트 시대:1||에듀테인먼트:1||에이알 카드:1||여성 게이머:1||여성 이미지:1||여성 취향:1||영상디자인:1||영상산업:1||영상통화:1||영유아:1||오버워치:1||온라인 플랫폼:1||왕자영요:1||월트 디즈니:1||유니버설디자인:1||유아용 교육 콘텐츠:1||유형:1||융복합:1||융복합 기술:1||융합:1||융합유형:1||융합인재교육:1||융합형 콘텐츠:1||은유적인 방법:1||의료영상:1||이멀젼:1||이모셔널:1||이미지 프레임 수:1||이안식 일체형 360˚ 카메라:1||인디게임:1||인지효과:1||인터렉티브:1||인플루언서:1||입체영상 기술:1||자연친화적 캐릭터:1||잠재적 참여자:1||장 콕토 감독:1||재질분석:1||재현:1||전경:1||점군 데이터:1||정책디자인:1||제작 방법:1||젠탱글 아트:1||중국 여인:1||지방자치단체의 역할:1||착시 효과:1||체험:1||캐릭터 디자인:1||캐릭터 애니메이션:1||캐릭터 외형:1||캐릭터 조형 디자인:1||캐릭터 포즈:1||캐릭터의 외형:1||코로나19:1||콘텐츠:1||콘텐츠 성격:1||크래프트 몰드:1||크리스토프 갱스 감독:1||타임랩스:1||탈물질성:1||테크니컬:1||투명성:1||투명스크린:1||틱톡:1||파노라마 비디오:1||파타피직스:1||퍼블릭 미디어아트:1||페스티벌 브랜딩:1||포켓몬 Go:1||포켓몬 Go 게임 특성:1||포켓몬스터:1||포토 스캔:1||표현소재:1||표현요소:1||프랙탈 착시:1||프로젝션맵핑:1||피터래빗:1||필립 글래스:1||핑크퐁:1||합성:1||헤드 마운트 표시 장치:1||현대적 캐릭터 디자인:1||혼합현실:1||홀로그래픽 프로젝션:1||홀로그램:1||홀로그램 투영:1||'Frozen 2':1||홀로렌즈:1||'MU BIAO' and 'Bu Ye Chang'an':1||'겨울왕국2':1||'목표'와 '불야장안':1||<Resident Evil 4>:1||<The Legend of Zelda: Tears of the Kingdom>:1||<왕자영요>:1||270 degrees screens:1||270도 스크린:1||360 degree Fish Eye Lens:1||360 degrees circular cinema:1||360° video:1||360° 동영상:1||360°Panoramic Image:1||360˚ VR Image Contents:1||360˚ VR 영상 콘텐츠:1||360도 그림:1||360도 서큘러 스크린:1||360도 어안 렌즈:1||3D Animated:1||3D Animation，3D Content:1||3D Animation，Stable Diffsuion:1||3D Content Design， Stable Diffsuion，Checkpoint Models:1||3D Content Design，Image 2D to 3D Model:1||3D Modeling:1||3D Modelling:1||3D Printer:1||3D Printing Technology:1||3D Weapons:1||3D animation film:1||3D environment:1||3D graphics:1||3D online games:1||3D texture mapping:1||3D 그래픽:1||3D 온라인 게임:1||3D 입체 애니메이션:1||3D 프린터:1||3ds Max:1||: STEAM:1||AI Animation Production:1||AI Art Creation:1||AI Art Design:1||AI Generation:1||AI Generator:1||AI Modeling:1||AI Technology:1||AI Video:1||AI Visual Effects:1||AI and Data Visualization:1||AI generated Short Drama:1||AI painting:1||AI technology:1||AIgenerated Content:1||AIGC:1||AR Card:1||AR game:1||AR게임:1||Advertisement Media:1||Aesthetic level，Drawing basics:1||American Comic Styles:1||Animated Film Deep Sea.:1||Animation:1||Animation Character Design:1||Animation Education:1||Animation features:1||Animation workflow:1||AppBook:1||Applicability:1||Architectural projection mapping:1||Art Exhibition:1||Art Style:1||Art and Technology:1||Art exhibition:1||Art therapy:1||Artefacts.ai:1||Artificial Intelligence Generated Content:1||Artificial Intelligence Technology:1||Artificial intelligence:1||Artificial intelligence、Traditional art patterns、Digitalization、Cultural heritage design、Intelligent design、Runway、Realtime canvas:1||AudioVisual Experience:1||Augmented reality:1||Background:1||Basic plane figure:1||Blizzard:1||Brand Communication:1||Brand communication:1||Breaking the fourth Wall:1||Bundle Program:1||CBS:1||CBS 방송국:1||CGY cinema:1||CJ CGY 그룹:1||COVID19:1||Canny Edge:1||Card drawing:1||Care:1||Character Animation:1||Character Development:1||Character Formative Design:1||Character Industry Market:1||Character Pose:1||Character industry market:1||Characteristic Appearance:1||Character’s appearance:1||Checkpoint:1||Child content:1||Chinese Animated Film:1||Chinese Shadow Puppetry:1||Christophe Gans:1||Cinemagraph:1||Cognitive Training:1||Cognitive effects:1||Collage:1||Color Emotion:1||Colorology:1||Comic strips:1||Companion animal:1||Computer Graphic:1||Computer Graphics:1||Computer graphics:1||Conceivability:1||Concert Formats:1||Concerts:1||Conditional Role Embedding Feature:1||Consumers' Purchase Behavior:1||Content Characteristics:1||ControINet:1||

RSS_1.0 RSS_2.0 ATOM_1.0

30, Pildong-ro 1-gil, Jung-gu, Seoul, 04620, Republic of Korea+82-2-2260-3114

Certain data included herein are derived from the © Web of Science of Clarivate Analytics. All rights reserved.
You may not copy or re-distribute this material in whole or in part without the prior written consent of Clarivate Analytics.

Detailed Information

Keyword

BROWSE