ScholarWorks@Dongguk University: Yang, Yun ho

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Yang, Yun ho (양윤호)

Graduate School of Digital Image & Contents (Department of Film and Digital Media)

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Tel 02-2260-8608
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OTT:4||알모도바르:4||Almodovar:3||Kdrama:3||Genesis:2||더 글로리:2||OTT Drama:2||대런 아로노프스키:2||OTT 드라마:2||촬영기법:2||창세기:2||The Glory:2||Decision to Leave:2||Darren Aronofsky:2||Adaptation:1||Aesthetic function:1||All About My Mother:1||Almodóvar:1||Artificial Intelligence:1||Artificial Intelligence Algorithm:1||At Eternity’s Gate:1||Biblical film:1||Body:1||Brecht:1||Character:1||Chinese InkandWash Painting:1||Chinese film:1||Chinese propaganda films:1||Cinematography:1||Convergence:1||Deconstruction:1||Deep Learning Technology:1||Diffrance:1||Director ZHANG YIMOU:1||Drama:1||Editing:1||Eternal Life:1||Film <The Golden Era>:1||Film Planning:1||Film Shadow (影:1||Film color analysis:1||Film color psychology / Color grading:1||Filming Techniques:1||Framed Film:1||Genre Film Planning:1||HandHeld:1||Handheld:1||Hidden hero narrative:1||Humanity:1||Instagram:1||Jacques Derrida:1||Jeong Seokyeong:1||Kmovie:1||Kathryn Bigelow:1||Korean War:1||Lacan:1||Mask Girl:1||Medea’s mythic archetypes:1||Metacinema:1||Metadrama:1||Mixed religion:1||Modern SF film Narrative Structure:1||Mother!:1||Movie prologue:1||Mystery Film:1||Narrative:1||Narrative Composition Research:1||Netflix:1||Netflix Original Series:1||New Media:1||Nothing Serious:1||Park Chanwook:1||Religious Film:1||Revenge Plot:1||Shooting skills:1||Shorts:1||Snake:1||Space Sweepers:1||The Film “The Dead End”:1||The Fountain:1||The Queen's Gambit:1||The World of the Married:1||The housemaid:1||Theatrical Distribution:1||Time to Hunt:1||Verfremdung Effect:1||Vincent Van Gogh:1||Web Drama:1||Webtoon:1||YeoGui:1||YouTube:1||Zoom Shot:1||charade:1||cinematic expression method:1||cinematic storytelling:1||closeup:1||ego:1||external focalizer:1||fantasy frame composition:1||focalization:1||genre frame composition:1||identity:1||internal focalizer:1||movie epilogue:1||multiple personality disorder:1||narration:1||narrative:1||narrative analysis:1||narrative techniques:1||nonverbal expression:1||occult:1||place frame composition:1||psychological representation:1||remediation:1||revenge mechanism:1||shamanism:1||subjectification:1||symbolic meaning:1||the Garden of Eden:1||time frames composition:1||virtual Image:1||visual language:1||women subjects:1||‘소격화’효과:1||각색:1||감춰진 영웅 서사:1||공포:1||극장 배급:1||내 어머니의 모든 것:1||내러티브:1||내레이션:1||내적 초점화자:1||넷플릭스:1||넷플릭스 오리지널 시리즈:1||뉴미디어:1||다중인격:1||딥러닝:1||라캉:1||마더!:1||마스크걸:1||메데이아:1||메타드라마:1||메타시네마:1||무속:1||미스터리 영화:1||미학적 기능:1||박찬욱:1||뱀:1||버추얼 이미지:1||복수:1||복수 메커니즘:1||부부의 세계:1||불안:1||브레히트:1||비언어적 표현:1||사냥의 시간:1||상징적 의미:1||샤머니즘:1||서사:1||서사 구조:1||서사구성 연구:1||서사극:1||서사화법:1||성경 영화:1||셔레이드:1||쇼츠:1||수묵화:1||승리호:1||시각적 언어:1||시간 액자식 구성:1||신체:1||신화 원형:1||심리적 표상:1||액자식 구성:1||에덴동산:1||여귀:1||여성 서사:1||여성주체:1||연애 빠진 로맨스:1||영생:1||영화 <삼국무영자>:1||영화 기획:1||영화 분석:1||영화 에필로그:1||영화 프롤로그:1||영화<열일작심>:1||영화<황금시대>:1||영화촬영:1||오컬트:1||외적 초점화자:1||웹드라마:1||웹툰:1||유튜브:1||융복합:1||인간성:1||인공지능:1||인공지능 알고리즘:1||인스타그램:1||자아:1||장르 영화 기획:1||장르별 액자식 구성:1||장소 액자식 구성:1||장이머우 감독:1||재매개:1||정서경:1||정체성:1||종교 영화:1||주선율영화:1||주체화 과정:1||줌 샷:1||중국영화:1||천년을 흐르는 사랑:1||초점화:1||캐릭터:1||캐서린 비글로우:1||퀸스 갬빗:1||클로즈업:1||타자화:1||편집:1||표현기법:1||한국전쟁:1||해체:1||핸드헬드:1||핸드헬드 촬영:1||헤어질 결심:1||혼종:1||<Julietta>:1||환상 액자식구성:1||<Ode to Gallantry>(1956):1||<Sniper>(2022):1||<The Human Voice>:1||<The Hurt Locker>:1||<Women on the verge of a nervous breakdown>:1||<상감령>:1||<신경쇠약 직전의 여자들>:1||<저격수>:1||<줄리에타>:1||<허트 로커>:1||<헤어질 결심>:1||<휴먼보이스>:1||2018):1||

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