ScholarWorks@Dongguk University: Kim, Jong wan

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Kim, Jong wan (김종완)

Graduate School of Digital Image & Contents (Department of Film and Digital Media)

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Tel 02-2260-3845
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film:3||Lacan:2||OTT Platform:2||Character:2||Focalization:2||Media acting:2||매체연기:2||<범죄의 재구성>:1||<암살>:1||<오징어 게임> 작품 분석:1||.:1||8part series Basic Design Proposal for Decalcomanie Configuration:1||8부작 데칼코마니 구성 기초설계 제언:1||Action Film:1||Aesthetics of Sound:1||Affective:1||Affective Memory:1||Anachrony:1||Analepsis:1||Audiovisual interaction:1||China OTT Platform:1||Choi Donghoon:1||Configuring Decalcomanie:1||Contemplative Beauty of Image:1||Corporeality:1||Death:1||Desire:1||Digital Arcade:1||Digital Technology:1||Dilatation:1||Distraction:1||Early Cinema:1||Ego:1||Enonciation:1||Erika Fischer Lichte:1||External Focalizer:1||External focalizer:1||Film Image:1||Film analysis:1||Flâneur:1||Focalisation:1||Focalized Object:1||Focalized object:1||Form:1||Free Indirect Discourse:1||Gullino’s 3Act 8Sequence Structure:1||Henri Bergson:1||Hong SangSoo:1||Id:1||Identification:1||Imagecrystal:1||Indirect Subjective:1||Interior Monologue:1||Internal Focalizer:1||Internal focalizer:1||Joseph Campbell:1||Kidnapping and Rescue:1||Korean video content:1||Leitmotif:1||LongTake:1||Macro/Microcinema:1||Media Acting:1||Michele Sion:1||Moving Image:1||Multiple Narrative:1||Narrative Distance:1||Narrative Structure:1||Netflix:1||New Media:1||Nutshell technique:1||OTT:1||OTT (OverTheTop):1||OTT Series:1||OTT service:1||OTT 서비스:1||OTT 시리즈:1||OTT 플랫폼:1||Objective:1||Objective Perspective:1||Over the Shoulder Shot:1||Performativity:1||Plot of Rescue:1||Point of Audition:1||Point of View:1||Point of view Shot:1||Polyphonie:1||Pseudoiterative:1||Psychoanalysis:1||Realism:1||Relationship:1||Repetition:1||ScreenX:1||ScreenX:1||Signified:1||Signifier:1||Simulacrum:1||Sound Design:1||Spectacle:1||Spectatorship:1||Structural Analysis of <Squid Game>:1||Structural Analysis of <my name>:1||Structuralism:1||Style:1||Subjective:1||Superego:1||The Stream of Consciousness:1||The Tree of Life:1||Theme:1||Transmedia Intertextuality:1||Violence:1||Zizek.:1||acting:1||advance into China:1||anachrony:1||aspect ratio:1||audience’s subjectification:1||culture and arts education:1||digital format:1||directionspace:1||drama acting:1||enonciation:1||expansionspace:1||film acting:1||focalizer:1||hierarchy:1||locationspace:1||narratology:1||practical film production education:1||prosumer:1||pseudoiterative evnt:1||psychoanalysis:1||screenX:1||sociology:1||space:1||split screen:1||stairs:1||subjectification:1||video:1||widescreen:1||계단:1||계층:1||공간:1||관객성:1||기의:1||기표:1||내적 초점화자:1||내적독백:1||넛셸 테크닉:1||넷플릭스:1||다음성:1||다중 서사:1||데칼코마니 구성:1||동일시:1||드라마연기:1||디지털 아케이드:1||라이트모티프:1||라캉:1||방향공간:1||분할화면:1||사회학:1||산만함:1||산책자:1||서사 거리:1||소급제시:1||쇼트/역쇼트:1||수행성:1||슈퍼에고:1||스크린X:1||시간의 확장:1||시뮬라크르:1||시점:1||에고:1||에리카 피셔리히테:1||연기:1||영화분석:1||영화연기:1||오버 더 숄더 쇼트:1||외적 초점화자:1||욕망:1||육체성:1||의식의 흐름:1||이드:1||인물 관계:1||자유간접화법:1||장소공간:1||정신분석학:1||조셉 캠벨:1||주제:1||죽음:1||중국 OTT 플랫폼:1||중국 진출:1||중첩 반복:1||초기 영화:1||초점대상:1||초점화:1||최동훈:1||캐릭터:1||크리스털 이미지:1||폭력:1||한국 영상콘텐츠:1||형식/양식:1||<Assassination>:1||확장공간:1||<Parasite>:1||<The Big Swindle>:1||<The Thieves>:1||<기생충>:1||<도둑들>:1||<마이 네임> 작품 분석:1||

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