ScholarWorks@Dongguk University: Kim, Soon young

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Kim, Soon young (김순영)

College of Humanities (Division of English Language and Literature)

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Tel 02-2260-3158
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translation strategy:4||기계번역:3||충실성:3||번역:3||literary translation:3||subtitling:3||자막번역:3||번역 전략:2||Translation:2||포스트에디팅:2||subtitle translation:2||DVD:2||globalization of Korean literature:2||translation strategies:2||프리에디팅:2||가독성:2||Agatha Christie:2||추리소설 번역:2||translation:2||fidelity:2||곁텍스트:2||anthology of modern Korean literature:2||Fable novel:1||Friend:1||Functional approach to translation:1||Girl Cops movie:1||Gulliver’s Travels:1||Hofstede:1||Informative text:1||International Students:1||Intertextuality:1||Kentertainment:1||K예능:1||Key Words: Allusion:1||Keyphrase Allusion:1||Kim Jiyoung:1||Korean entertainment shows:1||Korean literature:1||Korean wave:1||Language and Communication Function Model:1||Liberal Arts Education:1||Machine Translation:1||Machine translation:1||Min Jin Lee:1||Netflix:1||Neural Machine Translation:1||North Korean Novel:1||North Korean Novel Translation:1||North Korean Society:1||North Korean Women:1||OTT:1||Pachinko:1||Paratext:1||Paratext of Detective Story:1||Patterns of error:1||Postediting:1||Preediting:1||Proper Name Allusion:1||Subtitle Translation:1||Target audience:1||Technical Writing:1||The Disaster Tourist:1||The Tragedy of X:1||Transediting:1||Translation Strategies:1||Translation Strategy:1||Translation of advertisement:1||Translation of children's literature:1||YouTube subtitles:1||acceptability:1||adequacy:1||allusion:1||audiovisual translation:1||book cover analysis:1||book cover evaluation:1||book titles:1||character portrayal:1||classic movie:1||cohesion:1||cohesive device:1||commercial comics:1||comparison of paratext:1||comprehensibility:1||crosscultural study:1||cultural context:1||cultural elements:1||culture bump:1||detective fiction:1||diaspora literature:1||dubbing:1||economical efficiency:1||editorial translation:1||educational effect of literature:1||ellipsis:1||emotional expression explicitation:1||fable novel:1||faithfulness:1||fandom:1||film subtitles:1||fluency:1||frame:1||function marker:1||game localization:1||game translation:1||game translation quality criteria:1||gender sensitivity:1||gender sensitivity education:1||genre movie:1||grammar of visual design:1||highcontext culture:1||historical comics:1||historical fiction:1||historical fiction translation:1||hybridity:1||ideological reinforcement:1||ideology:1||informativity:1||intertextuality:1||literal representation:1||lowcontext culture:1||machine translation:1||machine translation postediting:1||manipulation:1||media ideology:1||mimetic words:1||movie:1||multimodal machine translation:1||multimodality:1||mystery novel:1||online community player reviews:1||onomatopoeia:1||onomatopoeia and mimesis:1||paratext:1||paratexts:1||player feedback analysis:1||poetry of Kim Sakkat:1||postediting:1||postediting education:1||postediting quality:1||profanity:1||profanity translation:1||quantitative approach:1||readability:1||reinforcement devices:1||restructuring of paratext:1||rewriting:1||social semiotics:1||sociology of translator:1||sourceoriented:1||style:1||style marker:1||stylistic analysis:1||stylistic characteristics:1||stylistic features:1||subtitling of nonverbal information:1||super hero movie:1||suspense translation:1||targetoriented:1||title translations:1||translated literature:1||translation education:1||translation of mystery novels / 애거서 크리스티:1||translation of poetry:1||translation of style:1||translation strategies for comics:1||translational stylistics:1||translator interview:1||translator perception:1||translator visibility:1||untranslatability:1||webtoon:1||webtoon translation:1||‘comfort women’:1||『X의 비극』:1||『파친코』:1||감정 명시화:1||걸리버 여행기:1||게임 번역:1||게임 번역 품질 평가 기준:1||게임 현지화:1||결속 장치:1||경제성:1||곁텍스트 비교:1||곁텍트스의 재구성:1||계량적 접근:1||고맥락 문화:1||고유명사 인유:1||고전영화:1||관용어구 인유:1||광고번역:1||교과목 개발:1||교양교육:1||글로벌 화장품광고:1||기계번역 포스트에디팅:1||기능표지:1||김삿갓 시:1||나일강의 죽음:1||넷플릭스:1||대상독자:1||동물우화소설:1||만화 번역전략:1||멀티모달 기계번역:1||문체:1||문체 번역:1||문체적 특성:1||문학 번역:1||문화:1||문화간 연구:1||문화요소:1||문화융합:1||문화차이:1||번역가 가시성:1||번역가 사회학:1||번역가 인식:1||번역가 인터뷰:1||번역교육:1||번역기술:1||번역문체론:1||번역불가능성:1||번역전략:1||벗:1||부르디외 사회학:1||북한 사회:1||북한 소설:1||북한 소설 번역:1||북한 여성:1||사회기호학:1||상업 만화:1||서스펜스 재현:1||소통 기능:1||수용성:1||시 번역:1||시각 디자인 문법:1||신경망 기계번역:1||아동문학 번역:1||애거서 크리스티:1||언어 및 의사소통 기능모델:1||역사 만화:1||영화:1||오류 패턴:1||오류유형화:1||온라인 커뮤니티 이용자 비평:1||외국인 유학생:1||웹툰:1||웹툰 번역:1||유창성:1||유튜브 자막:1||의성어:1||의태어:1||이민진:1||이산문학:1||이용자 평가 분석:1||인공지능:1||인물 재현:1||자막:1||저맥락 문화:1||정보적 텍스트:1||추리소설:1||추리소설의 곁텍스트:1||캐릭터 묘사:1||테크니컬 라이팅:1||통제언어:1||편역:1||포스트에디팅 교육:1||포스트에디팅 품질:1||표지 분석:1||표지 평가:1||학업역량:1||학업적응:1||한국 방송예능자막:1||한류:1||핵심어: 인유:1||호소적 텍스트:1||(re)construction of image:1||혼종성:1||82년생 김지영:1||AI Translation:1||Academic Adjustment:1||Academic Competency:1||Anne of Green Gables:1||Appealfocused texts:1||Artificial Intelligence:1||Born 1982:1||Bourdieu’s Sociology:1||Character Representation:1||Charlie’s Angels 3 movie:1||ChatGPT:1||Communicative function:1||Controlled Language:1||Course Development:1||Cultural convergence:1||Cultural difference:1||Culture:1||Death on the Nile:1||Detective Story:1||Error classification:1||

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