ScholarWorks@Dongguk University: Kim, Sung joong

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Kim, Sung joong (김성중)

College of Humanities (Division of English Language and Literature)

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Tel 02-2260-3925
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politics:4||William Wordsworth:4||Christianity:3||Alfred Tennyson:3||바실리오스 성인:2||종교:2||Elizabeth Inchbald:2||feminism:2||기독교:2||Idylls of the King:2||religion:2||Hannah Cowley:2||G. K. Chesterton:1||Gothic drama:1||Graham Harman:1||Harold:1||Joanna Baillie:1||John Walker:1||Kotzebue:1||Licensing Act:1||Lyrical Ballads:1||Mary Robinson:1||Maud:1||Mikhail Bakhtin:1||New Historicism:1||Nietzsche:1||ObjectOriented Ontology:1||P. B. Shelley:1||Pizarro:1||Prometheus Unbound:1||Queen Mary:1||Remorse:1||Robert Merry:1||Romantic Drama:1||Romantic Theater:1||Romantic drama:1||Romantic melodrama:1||Romantic play:1||Romantic theater:1||Romantic theatre:1||Romantic women playwrights:1||Romanticism class:1||Sappho and Phaon:1||Sheridan:1||Sonnet:1||Speculative Realism:1||St Basil:1||Søren Kierkegaard:1||Tennyson:1||The Bell’s Stratagem:1||The Borderers:1||The Cenci:1||The Excursion:1||The Factory Lad:1||The Man Who Was Thursday:1||The Mutiny at the Nore:1||The Rent Day:1||Theodor Adorno:1||Thomas Holcroft:1||Timothy Morton:1||Victorian course:1||Victorian drama:1||Victorian etiquette:1||Victorian literature and culture:1||William Godwin:1||Wives As They Were And Maids As They Are:1||Wordsworth:1||antiidealism:1||audience:1||becoming:1||being:1||biographical criticism:1||canon:1||carnival:1||censorship:1||chaos:1||colonialism:1||cultural approach:1||cultural studies:1||energy:1||illegitimate drama:1||incarnation:1||irony:1||laughter:1||love:1||madness:1||magazine poetry:1||masquerade:1||mass media:1||melodrama:1||mysticism:1||nature:1||necessitarianism:1||necessity:1||nihilism:1||nonsense:1||nonsense literature:1||object:1||pantheism:1||paradox:1||patent theater:1||political unconscious:1||popular culture:1||recipientoriented teaching:1||recollection:1||repetition:1||satire:1||sensibility:1||subject:1||teaching culture:1||women Romantic poets:1||“Despair”:1||“Lucretius”:1||“Maud”:1||“The Ancient Sage”:1||“The Tuft of Primroses”:1||「고대의 현자」:1||「루크레티우스」:1||「모드」:1||「절망」:1||「주상 성인 시메온」:1||『검은 눈동자의 수잔』:1||『공장 사나이』:1||『노어 폭동』:1||『소요』:1||『소요』(The Excursion):1||『집세 내는 날』:1||경계인들:1||고딕 드라마:1||광기:1||낭만주의 드라마:1||낭만주의 수업:1||낭만주의 시대 극장:1||낭만주의 여성 시인:1||낭만주의 연극:1||넌센스 문학:1||니체:1||대중 매체:1||대중문화:1||더글라스 제럴드:1||멜로드라마:1||모드:1||문화 수업:1||문화이론:1||문화적 접근:1||미국문화:1||범신론:1||불법 드라마:1||빅토리아시대 문학과 문화:1||빅토리아시대 수업:1||빅토리아시대 에티켓:1||수요자 중심 교육:1||쉐리던:1||식민주의:1||실존주의(existentialism):1||아이러니:1||알프레드 테니슨:1||에너지:1||연극 허가법:1||워즈워스:1||윌리엄 워즈워스(William Wordsworth):1||육화:1||전기 비평:1||정전:1||정치성:1||존 워커:1||칙허 극장:1||코체부:1||콜리지:1||키르케고르(Kierkegaard):1||테니슨:1||풍자:1||피자로:1||허무주의:1||<앵초밭>:1||회개:1||(“Saint Simeon Stylites”:1||A Simple Story:1||A Tale of Mystery:1||American culture:1||Blackeyed Susan:1||Coleridge:1||De Monfort:1||Della Cruscanism:1||Douglas Jerrold:1||Every One Has His Fault:1||Fredric Jameson:1||

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