원잡극(元雜劇)의 수사법 번역 연구 -<조씨고아>를 중심으로-

초록

From a historical perspective, Yuan Zaju represents a very important stage in the development of classical Chinese dramatic literature. The complexity and uniqueness of dramatic literature raises many difficult problems in the translation of literary works. This paper compared and analyzed two Korean translations of The Orphan of Zhao, a representative work of Yuan Zaju. Most translation studies focus on the reproduction of rhetoric in the target text, but in the process, the characteristics of the source text may be compromised. Therefore, this paper will first examine the characteristics of the source text from a text typology perspective, and then identify three characteristics of literariness, musicality, and stagecraft in classical Chinese drama. Musicality and stagecraft play a more important role than literariness in the text of a drama, which is expressed through two compositional forms: Gokmun(lyrics) and Binbaek(dialogue). These two parts reveal the characteristics of musicality and stagecraft through rhetoric. Therefore, this paper focuses on the rhetorical theory widely used in the creative process of Chinese classical drama. Gokmun(lyrics) focuses on reduplication, antitheses, and parallelism, while Binbaek(dialogue) focuses on metaphor and antitheses. As a result of the analysis, metaphor should be translated by replacing similar idioms, parallelism should be expressed in concise sentences, reduplication should use onomatopoeia and mimetic words, and antitheses should consider not only formal symmetry but also the inherent cohesion and cohesion of the preceding and following sentences.

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