공연 각색의 통합적 의미 표현 연구: 시모어 채트먼의 담화 요소 간 상호작용을 중심으로

초록

This study explores how new meaning is integrally expressed on stage in performance adaptation. It is a follow-up study to previous research that investigated the cognitive process of an adapter cre ating new meaning by combining an original work with a contemporary context, and the way this new meaning restructures the original story. This research proposes an ‘integrated discourse analysis’ methodology to analyze how a reconfigured story is realized as ‘discourse’ on stage. This analytical framework aims to deeply examine how various discourse elements, such as plot, medium, and rhet oric, organically interact to form a holistic expression of meaning, rather than functioning individually. To validate the effectiveness of this methodology, the study analyzes four performance adaptations of the Jeju shamanic myth, <Woncheongang Bonpuri>. The analysis confirms that new meaning in performance adaptation is completed through the sophisticated interaction of each element to create a holistic meaning that transcends the sum of individual parts. This study holds academic significance by expanding performance adaptation analysis from an element-centric approach to an integrated discourse perspective, providing a profound analytical tool that encompasses the entire adaptation process. Future research, including audience reception studies, is needed to fully understand the communication process of adaptation.

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