묵조선의 수행과 깨달음의 원리

초록

Zen-performances of Buddhism has been handed down in various ways, including Vipassana and Samatha, from early Buddhism. Zen-performances like this were also handed down to Zen Buddhism in China. A unique Zenperformances called Kànhuachán(看話禪) and Mozhàochán(黙照禪) was created in the Sòng-dynasty. The background was part of a movement to restore the pure aspect of traditional Zen-performances. Among them, Mozhàochán has the significance of expanding the width of Zen-performances by appearing in the middle of Sòng-dynasty in Cáodòngzōng lineage. Zhēnxie-qīngliǎo(眞歇淸了) and Hóngzhì-zhèngjue(宏智正覺) are the advocates of Mozhàochán. In particular, Hóngzhì-zhèngjue has established the basis of Mozhàochán's performances, who was person by běnzhèngzìjué(本證自覺), that is, Self Awakening of the Original Realization, xiànchénggōngàn(現成公案), that is, The undisguised of the gōngàn, zhiı̌guǎndazuò(只管打坐), that is, Only Sitting-poster, and shēnxīntuōluò(身心脫落), that is, To be easy and happy in body and mind. Mozhàochán is distinguished from Kànhuachán in that the act of performance and the experience of enlightenment are not separate. Mozhàochán always reveals enlightenment as an act of zhı̌guǎndazuo, even though it does not aim at enlightenment because it starts from the point of being originally enlightened. Therefore, the relationship between Mozhàochán's performance and enlightenment belongs to the Buddha's Dharma i.e. Outward appearance(佛法卽威儀).

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