공연 각색의 재고를 위한 동시대적 고찰

초록

This study raises a problem with the limitation that domestic performance adaptation research has not yet reflected this trend of the times. At the same time this study aims to reconsider the meaning of contemporary performance adaptations at a time when today's adaptation study is expanding be yond the dichotomous distinction between the original and adapted works, such as modifications, conversions, and substitutions, to a broader study of adaptations as a phenomenon. To this end, the study of performance adaptation is categorized and temporarily redefined by examining and compar ing domestic and international adaptation studies and performance adaptation studies. Overseas, the study of adaptation continues to expand, and its scope includes theconversion, expansions, and adaptations of narratives, media, and discourses, as well as the ways in which new discourses are em braced and staged. On the other hand, domestic studies of performance adaptations are sporadic without integrating the study of narrative, media, and discourse, and focus on the study of differences through comparison between the original and the adaptation. Therefore, this study recognizes the ex panded meaning of today's adaptation and emphasizes the need to expand the meaning and scope of domestic performance adaptation as well. Through this, we look forward to seeing a diversification of perspectives and methods in the research and practice of domestic theater adaptations.

키워드