‘소격화’ 편집 기법 연구 - 허안화 감독의 영화<황금시대>를 중심으로 -

A Study on the Editing Techniques of "Verfremdung" - Focusing on director Ann Hui"s movie <The Golden Era> -

초록

A technique in which various mise-en-scene techniques interact in the movie and the audience can feel more objective and neutral than the main character is called the 'Verfremdung' effect. The 'Verfremdung' effect will have the perception and thinking that can be observed in more detail by the characters from the audience's third-party point of view. In addition, the 'Verfremdung' effect gives the audience the feeling of being able to have a direct conversation with the main character and plays a role in further strengthening his integrity even if the source of the information is unclear. Therefore, today, the 'Verfremdung' effect is widely used in various performing arts, movies, and television dramas, not plays. In this study, we tried to examine based on various film works such as Chinese director Ann Hui's film <The Golden Era, 2014> using the 'Verfremdung' effect. Through this, the purpose of this study is to analyze how the 'Verfremdung' effect of distant theater is expressed or what editing technique is used when used and to enhance the meaning of using the 'Verfremdung' effect. We will try to analyze the strengths and weaknesses of the 'Verfremdung' effect, the meaning and action, the information and values that can be delivered to the audience through his expression techniques, and what psychology and emotions the audience gains from the 'Verfremdung' effect.

키워드

‘소격화’효과; 편집; 서사극; 브레히트; 영화<황금시대>; Verfremdung Effect; Editing; Drama; Brecht; Film <The Golden Era>
제목
‘소격화’ 편집 기법 연구 - 허안화 감독의 영화<황금시대>를 중심으로 -
제목 (타언어)
A Study on the Editing Techniques of "Verfremdung" - Focusing on director Ann Hui"s movie <The Golden Era> -
저자
개숙문; 양윤호
DOI
10.24174/jicc.2023.06.29.303
발행일
2023-06
저널명
영상문화콘텐츠연구
호
29
페이지
303 ~ 327