『다송문고(茶松文稿)』와 『석전문초(石顚文鈔)』의 문체 변화

초록

In the early twentieth century, Dasong(茶松) Geum-myeong Bo-jeong (錦溟寶鼎) compiled literary collections in the traditional format, whereas Seokjeon(石顚) Yeong-ho Jeong-ho(映湖鼎鎬) made use of modern media while maintaining conventional modes of writing. This study examines the shifts in literary genres manifest in the collections of these two figures. In general, references to stele construction in monks' collected works are confined to prefaces, haengjang(行狀), or appendices, and most collections include only a single commemorative record(gi, 記) or inscription(bimyeong, 碑銘) for such events. By contrast, the Dasong Mungo(茶松文稿) contains a substantial number of texts titled "Ipseok"(立石, erecting a stone) or "Ipbi"(立碑, erecting a stele). Although it includes back-side inscriptions(bieumgi, 碑陰記) and sacrificial prayers for stele erection(ipbi jemun, 立碑祭文), it notably lacks poetic stele inscriptions(bimyeong) and pagoda inscriptions(tammyeong, 塔銘). Seokjeon's writings, on the other hand, contain several bimyeong and tammyeong, reflecting the rising social status of monks during this period. It is also uncommon for a monk's literary collection to include records of conduct (haengjang) concerning other individuals. Nevertheless, both the Dasong Mungo and the Seokjeon Muncho(石顚文鈔) contain numerous such biographical accounts. The Dasong Mungo includes three pieces titled "Haengjang-cho"(行狀草, draft records of conduct) and two titled "Haengjang," with little practical distinction between them. The Seokjeon Muncho, meanwhile, contains three works labeled "Haengryak"(行略, brief records). In traditional collections, haengryak typically referred to accounts of one's own relatives, functioning similarly to haengjang-cho; however, in Seokjeon's work, the term appears to be used interchangeably with the broader meaning of haengjang. With regard to naming conventions, during the Goryeo dynasty, Dharma titles and names were occasionally abbreviated into three-character forms. In the Joseon dynasty, monks were predominantly identified by their Dharma titles(beopho, 法號). In Seokjeon's collection, however, abbreviated three-character forms of Dharma titles and names appear frequently, and temple names or regional identifiers are sometimes used in place of Dharma titles. Both Dasong and Seokjeon also employed a method of combining a secular surname with a Dharma title to create three-character designations. As these practices were previously unprecedented, they represent a significant cultural shift in twentieth-century Korean Buddhism. This naming convention continues to appear in modern non-Buddhist literature, particularly when monks are mentioned alongside secular figures.

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