사무엘 베케트 作 『고도를 기다리며』의 ‘럭키’ 연기접근 방법 연구 - 루스 자포라의 액션 시어터를 적용한 실제 프로덕션 중심으로 -

초록

Samuel Beckett's 『Waiting for Godot』(En Attendant Godot) is an absurd play that reflects the absurdity of human existence, influenced by World War II. The representative characteristics of 『Waiting for Godot』 are the repetitive meaningless conversations and silence. These emphasize the absurdity of communication in daily life and reveal performativity thorough active meaning-making by the audience. Performativity creates physical, spatial, and sonic properties, highlighting the simulacrum-like daily life. Based on this theoretical background, this researcher interpreted the absurdity and infinity of repetition in 『Waiting for Godot』as simulacrum-like daily life, and furthermore, attempted to construct and embody the character 'Lucky' as a simulacrum-like character. To embody these, the physical acting methodology of Ruth Zaporah's Action Theater was applied. By applying Zaporah's improvisational training, 'Meterializing Lucky's behavior through the spontaneity of movement' and 'Lucky's simulacrum-like character constructed through the transformation of the materiality of objects' were derived. This study might be significant in that it examines the characteristics of the simulacrum-like daily life in 『Waiting for Godot』 and verifies the process of creating Lucky's simulacrum-like character through actual production.

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