유미리 문학과 현대사회의 가족해체― 『가족 시네마』/『풀하우스』를 중심으로 ―

초록

The Yoo miri literature displays unique 'sound color' in literature as it follows the trend of autobiographical novel of the Japanese literature. It has exquisite insight on capitalism and consumption culture of contemporary society, family and individual interlocked with the distorted social images. Various contradictions and injustices (capitalism, Mormonism, anti-humanism, racism, paternal family system, feminism, etc) of contemporary society that is represented by the collapse of the bubble economy of 1990s through the high-level economic growth period of 1960s is depicted in connection with the experience of the distorted youth of the author which is one of the features. It may not state the vast discourse of hardware characteristics in details, but through various contents of software characterics sensed through the ‘genetics’, it contains the negative history, ethnicity, unsettled characteristics, violent features, discrimination and others of the Korean community in Japan. For example, it depicts the narratives through the homeless family emerging in 『Full House』 and Yoko who leans on sexual perversion the couple who are submerged in materialism in 『Family Cinema』, fetishism of man, and Kazuki with autism. The literature of Yoo miri could be confirmed from the direct hit on unsettled hardware collectively shown in empire and nationalism, expandability and generality in literature stemming from the foregoing, and actual body of globalism.

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