가네시로 가즈키의 탈민족적 글쓰기와 엔터테인먼트 - 『플라이, 대디, 플라이』/『GO』를 중심으로 -

초록

The Kanesiro Kazuki literature making narrative for vengeance and revolution of minority toward mainstream (central) society. It is the style to make cracks to the 'solid wall' through various resisting theories against the mainstream (central) society. It demonstrates to function as the anti-thesis that the otherized minorities to change the mainstream (central) society. The value perspective that a minority ‘does the right thing’, namely, no matter how it will turn out, it practices the thought to do something in the 'broken world' even if it has to encounter adverse consequence by colliding with the social ‘wall’. Minorities display the subjective self-awareness to “confront and fight with everything it has against the injustice and unfairness overflowing all over the world' against empowered state and nationalism, and social ideology. In addition, the unique realism, entertainment and rhythmical writing style of the author have become the base to secure uniqueness and popularity of the Kanesiro literature. The Korean residing in Japan, ‘Park Sun-sin’, who appears in the work is located in the core of the vengeance and revolution of such a ‘righteous work’. As a leader of vengeance/revolution, the sense of main existence of minotiry that encounters the mainstream society is displayed in ‘physicality’. The dynamic movement of those minorities (Koreans residing in Japan, people from Okinawa, people from Hotkaido, people of mixed-race) engraved in the novel 『GO』 as well as 『SPEED』, 『RUN BOYS RUN』 and 『Fly Daddy Fly』 represents the self-awareness to the 'resistance against the empowered and stratified social injustice and unfairness'. That would be the voice of otherized non-mainstream/surrounding functing as the 'anti-thesis' to the mainstream society.

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