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18세기 후기 남아 돌복 전통복식 콘텐츠 개발 - 김홍도의 모당 평생도 복식을 중심으로 -Development of Traditional Costume Contents for Late 18th-Century Boy’s First Birthday Outfit - Focusing on the Costumes in Kim Hong-do’s Modang Pyeongsaengdo -

Other Titles
Development of Traditional Costume Contents for Late 18th-Century Boy’s First Birthday Outfit - Focusing on the Costumes in Kim Hong-do’s Modang Pyeongsaengdo -
Authors
임정미김다민이종훈
Issue Date
Jun-2025
Publisher
한국복식학회
Keywords
바지; 풍속화; 저고리; 색동반비; 소창의; 전통복식콘텐츠; baji; genre paintings; jeogori; saekdong banbi; sochangui; traditional costume content
Citation
복식, v.75, no.3, pp 46 - 65
Pages
20
Indexed
KCI
Journal Title
복식
Volume
75
Number
3
Start Page
46
End Page
65
URI
https://scholarworks.dongguk.edu/handle/sw.dongguk/58705
DOI
10.7233/jksc.2025.75.3.046
ISSN
1229-6880
2287-7827
Abstract
This study aimed to develop traditional costume content based on genre paintings from the late 18th-century Joseon period. By using Kim Hong-do's works as a foundation, this study creates a boy's first birthday outfit (dolbok) and explores the possibility of developing content based on historical records. The results of the study were as follows. First, this study proposed an 18th-century boy's dolbok consisting of a colorful vest (saekdong banbi), a small outer robe (sochangui), a jacket (jeogori), and pants (baji), departing from the 19th-century court costume dolbok form. It was produced in a form suitable for modern design based on historical verification by referring to costume relics and previous studies. Second, in order to produce four types of costumes, ancient documents, previous studies, excavated costume reports, and genre painting studies were comprehensively analyzed to determine the mesurements, colors, materials, and wearing methods so that they could be turned into costume content. Third, based on the results of these analyses, a boy's dolbok was produced. It was intended to produce it in a form close to 18th-century costume by realizing the composition and sewing methods of the 18th-century. This study expands costume history research by utilizing genre paintings as historical materials and presenting a process for developing precise traditional costume content. However, the potential for expressive distortion in genre paintings and the omission of certain accessories, such as the belt (doltti) and headdress (saekdong gulle), remain as limitations.
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