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리좀적 탈주로써 ‘-되기’ 생성 연구-<아바타>를 중심으로
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 유지나 | - |
| dc.date.accessioned | 2024-08-08T05:01:43Z | - |
| dc.date.available | 2024-08-08T05:01:43Z | - |
| dc.date.issued | 2014-09 | - |
| dc.identifier.issn | 1598-9682 | - |
| dc.identifier.uri | https://scholarworks.dongguk.edu/handle/sw.dongguk/18519 | - |
| dc.description.abstract | Much of the discourse about <Avatar>(2009, James Cameron) centersaround record financial profits of the film or the emotional 3Dperformance; however, this study focuses on the phenomenon of the“becoming-” mechanism according to Deleuze/Guattari’s Rhizome’sbreakaway within the cosmo-ecological level of Pandora. The process of“becoming-” generates a breakaway. Through narrative text focusing image mise-en-scène, this “becoming-”process of hero Jake Sully is multifaceted as well as conflicted inaccordance to the battle between the humans and the Na’vi tribe. In theprocess “becoming-” the de-territorialization happens by re-territorializationin which the mind-body replaced by the new properties of the assemblage. First, Jake “becoming-twin brother” in order to match twin brother’savatar and “becoming-(secret) agent” for Colonel Miles Quaritch. In thisfirst process, it is the issue to rescue his paraplegic legs, so ‘to be free’. For this mission, he is divided into two: one is ‘human-Jake’, the other‘avatar-Jake’operated by genetically matched humans,Secondly, his “becoming-avatar” gives him joy of free in spite ofobstacle s dues to Pandora’s nature’s power. This process brings‘Jake-avatar’ as ‘Na’vi warrior’ as well as Neytiri’s lover. But his doubleroles puts him in very deep suffering such as video recording showing“who am I ?” question facing his breakaway’s de-territorialization level in the cracked mirror. Jake confesses to being a agent and the Na’vi takehim and Dr. Grace captive. Finally, Jake reveals his owen way to “becoming-Na’vi” experiencingDr. Grace death after facing Pandora’s Nature-mother (Eywa) and thedestruction of Hometree by humans, the biological neural network nativeto Pandora, with many Na’vi tribe many others. Jake is then reconfirmedas a warrior of the Na’vi in the meeting at the Tree of Souls. In these repetitive but differential “becoming-”processes, <Avatar> textcreates conflict between the human’s capitalistic civilization and Pandora’secological life network. Even though the text makes an ecologicallyethical point through Rhizome’s breakaway of Jake, the text as a wholefits Hollywood’s strategy to expand global marketing. | - |
| dc.format.extent | 22 | - |
| dc.language | 한국어 | - |
| dc.language.iso | KOR | - |
| dc.publisher | 한국영화학회 | - |
| dc.title | 리좀적 탈주로써 ‘-되기’ 생성 연구-<아바타>를 중심으로 | - |
| dc.title.alternative | A Study on “becoming-” process as Rhizome’s breakaway -in text 《Avatar》- | - |
| dc.type | Article | - |
| dc.publisher.location | 대한민국 | - |
| dc.identifier.doi | 10.17947/kfa..61.201409.011 | - |
| dc.identifier.bibliographicCitation | 영화연구, no.61, pp 249 - 270 | - |
| dc.citation.title | 영화연구 | - |
| dc.citation.number | 61 | - |
| dc.citation.startPage | 249 | - |
| dc.citation.endPage | 270 | - |
| dc.identifier.kciid | ART001911439 | - |
| dc.description.isOpenAccess | N | - |
| dc.description.journalRegisteredClass | kci | - |
| dc.subject.keywordAuthor | “becoming-” | - |
| dc.subject.keywordAuthor | breakaway | - |
| dc.subject.keywordAuthor | de-territorialization | - |
| dc.subject.keywordAuthor | Hometree | - |
| dc.subject.keywordAuthor | network | - |
| dc.subject.keywordAuthor | Nature-mother | - |
| dc.subject.keywordAuthor | re-territorialization | - |
| dc.subject.keywordAuthor | Rhizome | - |
| dc.subject.keywordAuthor | Tree of Souls. | - |
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