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최위안의 영화 <저녁의 게임>의 시점 분석

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dc.contributor.author김종완-
dc.date.accessioned2024-08-08T02:30:50Z-
dc.date.available2024-08-08T02:30:50Z-
dc.date.issued2015-12-
dc.identifier.urihttps://scholarworks.dongguk.edu/handle/sw.dongguk/16264-
dc.description.abstractThis study considered functional role that ‘point of view shot’ as author’s intentional fact and carry out detailed and positive analysis concerning Wee an Choi’s Film &lt;Today and The Other Day&gt;. To figure out the use of p.o.v shot impartially, this study formed, compared and analyzed p.o.v shot based on conformity of theory. By the analysis, the function of p.o.v shot had definite distinction and an important role in description as a participant that bring on visual information of images, a character’s mental state. P.o.v shot is not used individually and requires significant amalgamation of subjective and objective p.o.v shot. When subjective p.o.v shot is used, a character that becomes a main awareness before of after the use if it should be offered objective p.o.v. Consequently all shots should have organic and relevant combination of both subjective and objective p.o.v shot for aesthetic function to approach tellingly between director and audience.-
dc.format.extent17-
dc.language한국어-
dc.language.isoKOR-
dc.publisher한국영상제작기술학회-
dc.title최위안의 영화 &lt;저녁의 게임&gt;의 시점 분석-
dc.title.alternativeThe research of point of view in Wee an Choi’s Film &apos;Today and The Other Day&apos;-
dc.typeArticle-
dc.identifier.doi10.34269/mitak.2015.1.23.001-
dc.identifier.bibliographicCitation영상기술연구, v.1, no.23, pp 5 - 21-
dc.citation.title영상기술연구-
dc.citation.volume1-
dc.citation.number23-
dc.citation.startPage5-
dc.citation.endPage21-
dc.identifier.kciidART002062671-
dc.description.isOpenAccessN-
dc.subject.keywordAuthorPoint of view Shot-
dc.subject.keywordAuthorSubjective-
dc.subject.keywordAuthorObjective-
dc.subject.keywordAuthorIndirect Subjective-
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