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텔레비전 예능의 뉴 패러다임-새로운 시대의 새로운 여가의 발견-
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 신상기 | - |
| dc.contributor.author | 이종대 | - |
| dc.date.accessioned | 2024-08-08T02:01:06Z | - |
| dc.date.available | 2024-08-08T02:01:06Z | - |
| dc.date.issued | 2014-12 | - |
| dc.identifier.uri | https://scholarworks.dongguk.edu/handle/sw.dongguk/16015 | - |
| dc.description.abstract | This article aims to study on ‘real variety show’ which is the lower genre of thecontemporary TV entertainment program. particularly, how it express daily life of thepublic and it make a fantasy to express. And how these programs make developmentthrough. As for the entertainment program, a concept of the existing entertainment changedwith the development of the technology and took the seat with one fair industrial rootand trunk in a subordinate concept of work from now on. First, It may be said that thepublic attention that began in a drama in particular is mental healing by the affirmativeexperience that the reason transfer to for an entertainment program can feel it. Second,the maximization of the visual effect by various device. and third the point of virtualreality to give the public laughter and recognition of services close most for materialevery day. In this aspect, The model of <gag concert> of KBS in the conte form that began onthe drama stage in the historical of the TV entertainment. The variety show which beganin <Show Show Show> of TBC foregrounds the concept of ‘real’ and make the gloryyears of the modern TV entertainment.The nowness of TV entertainment focused on the above-mentioned ‘real’. Thereason for emphasizing the nowness variety shows are compared to other genres oftelevision is studied that probable fantasy through method for representing contemporary,regularity showing a constant flow rather than through the virtual reality of everyday,and Bound by tacit consent confidence between credits-cast-public. Finally, lifestyle is being shed on the real variety show which Note the fact that thevirtual reality experience takes place in a reproducible. Specially, important as socialdiscourse, ‘divided into the family’and ‘make a hero of commoner’is appear to throughemotional rapport and parasocial interaction between real variety show and public. sothis now itself is claimed to a main component of the sociality to contemporary TVentertainment program. | - |
| dc.format.extent | 25 | - |
| dc.language | 한국어 | - |
| dc.language.iso | KOR | - |
| dc.publisher | 한국영상제작기술학회 | - |
| dc.title | 텔레비전 예능의 뉴 패러다임-새로운 시대의 새로운 여가의 발견- | - |
| dc.title.alternative | New Paradigm of Entertainment TV -Discovery of the Spare Time When the New Era- | - |
| dc.type | Article | - |
| dc.identifier.doi | 10.34269/mitak.2014.1.21.007 | - |
| dc.identifier.bibliographicCitation | 영상기술연구, v.1, no.21, pp 127 - 151 | - |
| dc.citation.title | 영상기술연구 | - |
| dc.citation.volume | 1 | - |
| dc.citation.number | 21 | - |
| dc.citation.startPage | 127 | - |
| dc.citation.endPage | 151 | - |
| dc.identifier.kciid | ART001942620 | - |
| dc.description.isOpenAccess | N | - |
| dc.subject.keywordAuthor | Entertainment TV | - |
| dc.subject.keywordAuthor | New Paradigm | - |
| dc.subject.keywordAuthor | Nowness | - |
| dc.subject.keywordAuthor | Sociality | - |
| dc.subject.keywordAuthor | Spare Time | - |
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