동일시 이론의 관점에서 본 영화의 초점화 양상 연구

Abstract

This study aims to investigate for film Choi Wee-An’s Film <Today And The OtherDays> that is a very special narrative text, in which there is representing various point ofviews related to the narrator of the narrative texts and the point of views/ focalizationwhich have been discussed by the number of the narrative researchers so far. In particular,the author also deals with the researchers from Gerard Genette, Mieke Bal and Jean-LouisBaudry to Laura Mulvey who are regarded the best theorists in this field. Based on thesestudies as methodologies, the author examines the movie <Today And The Other Days>in detail that makes this movie extraordinary is in manipulating the mechanism ofnarrator, amusement of point of view/ focalization, and creation and delivery of narrativeinformation, and also in awakening that these facts are overturned and obviously shown. To get rid of ambiguousness the term ‘point-of view’, this article applies ‘focalization’theory to analyze narrative structure of film. The result of analysis shows that there arethree focalizers in film; director, protagonist-character and camera. And aspects of filmcan be varied by distance of each focalizer. These distances between focalizers limitamount of visual information.