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Production, Concept, and Use of Copies in Traditional Buddhist Painting(전통불화의 모사본(模寫本) 제작과 개념 그리고 활용)
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| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 이수예 | - |
| dc.date.accessioned | 2023-05-11T19:41:23Z | - |
| dc.date.available | 2023-05-11T19:41:23Z | - |
| dc.date.issued | 2018-06-30 | - |
| dc.identifier.uri | https://scholarworks.dongguk.edu/handle/sw.dongguk/14394 | - |
| dc.title | Production, Concept, and Use of Copies in Traditional Buddhist Painting(전통불화의 모사본(模寫本) 제작과 개념 그리고 활용) | - |
| dc.type | Conference | - |
| dc.citation.conferenceName | Korean Art in Motion: Toward Discourses on Transculturalism and Transmediality | - |
| dc.citation.conferencePlace | 독일 | - |
| dc.citation.conferenceDate | 2018-06-29 ~ 2018-06-30 | - |
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Collections - College of the Arts > Department of Fine Arts > 2. Conference Papers
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Related Researcher
- Lee, Su Yea
- College of the Arts (Department of Fine Arts)